Pursued by Bear: Bright Star review
One of the most charming, heartfelt recent Broadway musicals you have never heard of, Bright Star is given a lovingly crafted production by Pursued by Bear, the intimate stage of Chapel off Chapel...
View ArticleThe Production Company: Ragtime review
Working at the very height of their powers, The Production Company rewards Melbourne for 21 years of love and support with a superlative production of epic 1999 Broadway musical Ragtime. Man in Chair...
View ArticleOpera Australia: Two Weddings, One Bride review
With the bubble and fizz of a freshly poured flute of champagne, Opera Australia’s new operetta Two Weddings, One Bride is enhanced by the shining talents of its sextet cast. The pasticcio operetta was...
View ArticleOpera Australia: Bryn Terfel in Concert review [Melbourne]
In an evening of sterling musicianship, master singer Bryn Terfel held a capacity audience spellbound in a carefully curated program that also saw Orchestra Victoria performing at their very best....
View ArticleRed Stitch Actors’ Theatre: Oil review
Grand in scope and intimate in detail, Ella Hickson’s 2016 play Oil is a given a suitably intense and immersive production for its Australian premiere at Red Stitch Actors’ Theatre. Opening night also...
View ArticleOpera Australia: Turandot review [Melbourne 2019]
The gift that keeps on giving, Graeme Murphy’s 1990 production of Turandot is grand opera at the pinnacle of artistic collaboration. Opera Australia’s revival sees the lavish work make its long overdue...
View ArticleMusic Theatre Melbourne: Electric Dreams review
In an auspicious world premiere season, Music Theatre Melbourne takes audiences back to the garishly colourful 1980s in Electric Dreams, a new Australian musical based on the cultish 1984 film. Billed...
View ArticleMelbourne Theatre Company: Kiss of The Spider Woman review
The extraordinary quality of Kiss of the Spider Woman belies the eight-year gap since Melbourne Theatre Company produced a Broadway musical as part of their mainstage season. The dark, dazzling adult...
View ArticleLegally Blonde review [Melbourne 2019]
Irresistible guilty pleasure Legally Blonde returns in a blue-chip boutique production anchored by a dazzling star turn from Samm Hagen as everyone’s favourite pretty-in-pink law student, little Miss...
View ArticleOpera Australia: Faust review [Melbourne 2019]
In a production as spectacularly staged as it is intelligently conceived, Faust is another mighty achievement from Opera Australia, demonstrating the full extent of their resources to sterling effect....
View ArticleThe Australian Ballet School: Summer Season 2019 review
As a sampler of the bountiful work of The Australian Ballet School, Summer Season 2019 capably demonstrates the depth of talent and attention to detail that set the School apart. Unfortunately,...
View ArticleVictorian Opera: The Barber of Seville review
Victorian Opera rings in the festive season with a very merry concert staging of delectably melodious opera buffa The Barber of Seville. As much fun as can be had in the opera theatre, the semi-staged...
View ArticleChicago review [Melbourne 2019]
Set to dazzle and divert, the Broadway revival of Chicago returns for its third Melbourne sentence with as sexy and sinewy a company of dancers as could possibly be wished for. As the 1996 Broadway...
View ArticleGertrude Opera: As One review
Gertrude Opera heralds the new decade with the modern American opera As One, a heartfelt work as timely as it is elegiac. The first ever opera to focus on a transgender journey, the Australian premiere...
View ArticleMelbourne Theatre Company: Home, I’m Darling review
Melbourne Theatre Company welcomes the new decade with an Australian premiere that is as lavishly produced as it is splendidly performed. If only Home, I’m Darling had something more substantial to...
View ArticleMelbourne Opera: Fidelio review
Melbourne Opera adds to the celebrations of Beethoven’s 250th birthday with a splendidly sung revival of their 2013 staging of Fidelio. All too rarely presented in Melbourne, Beethoven’s only opera is...
View ArticleMelbourne Theatre Company: Torch the Place review
Deftly blending uproarious humour with affecting pathos, Benjamin Law’s Torch the Place is a triumph. Having supported the writing of Law’s first play through their visionary NEXT STAGE program,...
View ArticleShrek the Musical review [Melbourne]
A joyful tonic, Shrek the Musical underpins glossy spectacle with endearing heart, delighting the audience with sassy humour and quirky characters. One of the better film-to-stage adaptations, Shrek...
View ArticleBilly Elliot the Musical review
Inspiring, amusing and genuinely moving, the revival tour of Billy Elliot the Musical arrives in Melbourne with an exceptional cast in peak form. An outstanding exemplar of music theatre at its most...
View ArticleMelbourne Theatre Company: Emerald City review
The noble intention of Melbourne Theatre Company’s celebration of 50 years of David Williamson plays misfires with a bland revival of 1987 hit Emerald City, a play that proves more tepid talkfest than...
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